AAM Guide to Provenance Research

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May not be open to the public ; N The Shaw Research Library. Open to the public Held. National Museum of Australia Research Library. May not be open to the public Research Library. University of Queensland Library. Open to the public ; N University of Sydney Library. Open to the public ; Y45 Book; Illustrated English Show 0 more libraries Open to the public Book; Illustrated English Show 0 more libraries Open to the public ; held Book; Illustrated English Show 0 more libraries None of your libraries hold this item. Found at these bookshops Searching - please wait We were unable to find this edition in any bookshop we are able to search.

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C2CC Introduction to Legal Issues in Collections Management

Lists What are lists? Login to add to list. Be the first to add this to a list. Comments and reviews What are comments? Add a comment. Art Gallery of New South Wales. Flinders University. Museum Victoria. National Gallery of Australia. National Gallery of Victoria. National Museum of Australia. Powerhouse Museum. Queensland Art Gallery. State Library of Queensland. State Library of South Australia. State Library Victoria. The University of Queensland. Hone; T. Nugent Workshop of Renier de Huy d. Johann Christoph Ludwig von Lucke attrib. Jack Butler Yeats Please note: the history of ownership is not definitive or comprehensive, as it is under constant review and revision by the Hunt Museum Ltd.

The information in this file is being reviewed and will be corrected and updated as research progresses.

Art History and Visual Studies: A Research Guide: Provenance

With the launch of our first online catalogue of the Hunt Collection documenting the celebrated collection of fine and decorative arts and antiquities in October we began a new phase in providing access to this wonderful resource. The second element of that phase making The Hunt Museum Archives accessible to a broader audience is now complete and available on this site. In , the complete Hunt Museum archive was listed to professional archival standards by consultant archivist, Bernie Deasy. The resulting descriptive list is now available in the form of a searchable database.

This database contains a description of each individual file in the archive. Files are arranged in a manner which relates to relevance within the context of the overall collection. Readers can browse the outline of the content and structure of the archive at this site. This finding aid is a new initiative for the Museum. Users are asked to bear in mind that the database is very much a working document and amendments to enhance accuracy will be made from time to time.

However, the Museum wants to make accessible available information about the collection through the archive, to the widest audience as immediately as possible. In this context, we encourage any feedback director huntmuseum. With a project such as this it is difficult to anticipate the amount of feedback we will receive, but it is our intention to try and respond to all reasonable requests and observations within a reasonable timeframe. As outlined above, the archive was listed to full professional archival descriptive standards by Bernie Deasy, Consultant Archivist. Internet Ireland kindly hosts our website.

Innovative use of new technologies and the development of the Internet marks a breakthrough in art education institutions, such as The Hunt Museum, that are now able to offer, up-to-date information around the clock at the convenience of the viewer, bringing the holdings of the Museum into homes, offices and schools for free. The work completed on cataloguing both the collection and archive and resulting online accessibility establishes The Hunt Museum as a primary research centre in the area of fine and decorative arts and antiquities.

W ith many beneficial forces coming together at The Hunt Museum, we enjoy our continually expanding role. I thank all of those who have supported us in achieving this. The Museum now has a visible profile not only in Ireland, but now also internationally extended, through the new horizons, provided by the Internet and our online resources.

The majority of the collection, presented in section A1, comprises files for objects held by The Hunt Museum. Most of these objects now reside at Craggaunowen, county Clare. Some of the objects for which there are files in Section A, part of the Hunt Collection, may never have been transferred to The Hunt Museum. All object files held by The Hunt Museum, regardless of whether the object is now held by the Museum, are described here. In order to convey as much information as possible about the contents of object files, the file-level descriptions treat of each document therein.

It should be noted that not all objects have archival information connected to them. The Hunt Museum uses up to five standard forms to record information about its objects.

Find a copy in the library

Provenance information is sometimes noted, as are the find details of archaeological objects. Either sketches or photographs of objects are often present. The object files contain photocopies of information cards and object description sheets, and are working documents, amended over time to reflect the acquisition of new information about objects.

The originals of information cards and object description sheets are held in the Museum. These interesting documents capture the sometimes diverging opinions of visiting experts about museum objects. For instance, visiting experts may attribute the same object to different geographical regions or time periods. The archives database seeks to capture the sometimes conflicting information that object files convey about museum objects.

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In this connection, it should be noted that while it is the function of the accompanying museum catalogue to describe objects in the collection, the purpose of the archives database is to describe, rather than interpret, documents and their contents. This approach is in accordance with standard archival practice. Therefore, there may be differences in information content between the archives and catalogue databases. Object files often contain photocopies taken from relevant literature. These may be published references to the object in question in the sales catalogues of auction houses, scholarly works, journals and exhibition catalogues.

Object files often contain material pertaining to objects in other collections which are similar to Hunt Museum objects. This has been amassed by Hunt Museum staff over time for the purpose of research. Again, this material is usually taken from the sources indicated above. In relation to photocopies taken from the catalogues of sale of auction houses, it is not always clear if it is Hunt Museum objects that are depicted or objects that are merely similar.

Therefore, if available, it would be instructive to consult the archives of relevant auction houses. It is evident that much of the material in object files is recent and has been collated by Hunt Museum staff rather than the Hunt family. However, there are also some documents which were created and received by John Hunt, Senior, and Gertrude Hunt. Such documents might be, for instance, notes in the hand of John Hunt, Senior, describing objects; letters to the Hunts written by various experts, usually in the United States or Europe, attempting to interpret objects; letters written to the Hunts in response to their attempts to trace the provenance of objects in their collection; and letters and other documents relating to the Hunts lending objects in their collection to various exhibitions.

Where provenance information is given in documents it is noted. Unfortunately, few copy letters created by the Hunts are extant here so it is mostly incoming documents that survive. There may also be more recent documents created and received by Hunt Museum staff resulting from research into the collection. Some of this research has been done by Hunt Museum docents volunteer guides and sometimes results in the writing of short research papers about objects.

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The archives collection is divided into Sections A and B. As described above, Section A comprises object files. Section B contains more general files pertaining to the interests of the Hunt Family and includes little information that directly pertains to The Hunt Museum. Section B is divided into seven major sub-sections. The first of these pertains to projects in which John Hunt, Senior, was involved. The more significant projects are the restoration of Bunratty Castle, county Clare, and the Craggaunowen project, also county Clare.

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John Hunt, Senior, had purchased Craggaunowen Castle in Documents extant here mostly refer to fund-raising for the project. It is possible that these documents were collated by officials of the Shannon Free Airport Development Company, in their capacity as project administrators, rather than the Hunts.

He was assisted in its restoration by John Hunt, Senior. The officials of these agencies are frequently mentioned in documents. Many letters relate to building materials, particularly timber, and art objects and furniture Lord Gort planned to install in the castle. A further sub-section contains documents connected with three publications of John Hunt, Senior. Mann Verlag, A third sub-section of Section B comprises mostly photographs.

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  • Their subjects vary, and this is very likely an artificially rather than organically-created file, but are, for instance, photographs of members of the Hunt family; photographs taken at homes of the Hunt family, some of which include displays of objects in their collection; photographs and other material, typically clippings from The Connoisseur magazine, which treat of the art dealership of John Hunt, Senior, located at 30c Bury Street, London.

    Pitt Rivers. It is evident from documents throughout the archives collection that objects formerly held by at least three of these persons Nelson, Ball and Pitt Rivers entered the Hunt Collection. The most interesting material in this section pertains to Nelson. He bequeathed some of the objects in his collection to John Hunt, Senior, and documents indicate that Nelson may have purchased some objects from Hunt when he was a dealer.

    The next sub-section relates to attempts by John Hunt, Senior, to purchase some tombs of the Probert family in Britain in the period. A further sub-section comprises material which was found enclosed in publications which belonged to John Hunt, Senior. Such documents might be letters, postcards, photographs and extracts from the sales catalogues of auction houses. This material is arranged with reference to the publication in which it was found.

    Some of the enclosures seem not to have any overt relationship with the publications in which they were found and this suggests that they were not placed there by particular design. The final sub-section contains varied secondary reference material, which does include one paper written by John Hunt, Senior. The basis of The Hunt Museum archives collection, as presented here, is documents transferred by the Hunt family to the Museum.

    Close examination of the archives suggests that it is highly likely that further documents may have been lost, as is very common with collections of archives, or be extant elsewhere. The vast majority of the letters presented here date from the period, and several date from There are then, no letters from the period. This is a considerable time lapse given that Lord Gort was a frequent correspondent. Such lacunae may also exist in other parts of this archives collection.

    Freely available

    With this in mind, the collection has been structured, and the documents coded, in a manner that will permit future additions. Each document has been coded to allow for its identification and for security purposes. The Hunt Museum also holds administrative files and it is planned that these files will be made available in the future.

    With the exception of exact duplicates, documents, typically facsimiles, recorded on poor-quality thermal paper and library materials, all documents throughout the archives collection have been retained. It is standard archival practice to retain only photocopies of documents on thermal paper. There are several points to note about the archives database and the documents described therein. Where used, square brackets denote either uncertainty or enclose information which has been inserted for clarity.

    For search purposes, apostrophes have been omitted except where documents are quoted from and where they are included in the titles of publications. This database was created using Microsoft Access. This software does not allow the selective italicization of text so instead, the titles of publications are enclosed in quotation marks.

    Many references to and photocopies from publications are encountered in the archives but many were not fully referenced in documents. Where possible, full bibliographical details are supplied but in some cases, publications were not traced. Also, because publications are not always fully referenced in documents it is possible that incorrect details have been supplied in this database.

    AAM Guide to Provenance Research AAM Guide to Provenance Research
    AAM Guide to Provenance Research AAM Guide to Provenance Research
    AAM Guide to Provenance Research AAM Guide to Provenance Research
    AAM Guide to Provenance Research AAM Guide to Provenance Research
    AAM Guide to Provenance Research AAM Guide to Provenance Research
    AAM Guide to Provenance Research AAM Guide to Provenance Research
    AAM Guide to Provenance Research AAM Guide to Provenance Research
    AAM Guide to Provenance Research AAM Guide to Provenance Research
    AAM Guide to Provenance Research

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