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College girl. Hula girl Just hanging out. Ella Hughes. The war has placed them together, I just finished this wonderfully odd book, but it was only after reading the reviews on this page that I learned it was some kind of lesbian genre fiction. The war has placed them together, at different points in their lives, but largely in search of the same thing. Indeed they seek the answer to life, the universe and the meaning of everything, but they also seek love and companionship. Physical and mental comfort.

They seek to fill their needs with and from each other. The relationship develop naturally, in way simultaneously novel yet easily understood. At times it takes on a pulpy air, but for every instance of seeming male, or lesbian wish fulfillment with descriptions of perky breasts there are passages of biting, visceral critique, reminiscent of Trumbo or Elie Wiesel.

It is a book almost wholly void of political discourse, yet the consequence of those machinations, existing just off the page, are felt, perhaps just as they were felt by Torres, in the barracks. The war was fought and the war was won, but the cost is indeed terrible. It is an imperfect book, but it's easy to understand why it continues to be read into the second decade of the twenty first century.


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  • Lart de diriger ? (Diplomatie et stratégie) (French Edition).
  • It is a book that contains insight and truth about war, human sexuality and the unchanging needs of people. There is depth and ambiguity. And there is honesty. A book such as this will always have have worth. Mar 27, Kat rated it really liked it. I'm impressed by this book from the historical standpoint-- it depicts an unguarded portrayal of the women in the French Freedom movement in World War 2. Although it mostly focuses on their love affairs and not the war, it gives interesting insight to morality of the time period particularly when you read about changes made to the manuscript for American audiences.

    May 23, carlageek rated it liked it Shelves: mid-century-madness. Nov 08, Kirsten rated it liked it. Women's Barracks I was curious because I like to study lesbian history and I read this kind of stuff with an analytic and evaluating mind. This books is a reprint of 's pulp fiction, and in this case, it's an actual true story french novel. I knew that back in the 50's LGBT people had to live deeply in the closet and so if you were gay or lesbian, it was difficult to even know if there were others like you.

    Lesbianism wasn't talked or written about openly, and apparently the only sources telling of its existence at that time were these kind of cheap pulp fiction novels.

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    I was curious what they were like, and wondered if they had any literary value besides cheap entertainment. In retrospect, this book probably appealed to the prurient interest, or at least the readers' prurient fantasies, though it isn't even on a soft porn level. But in the 50's, it was probably shocking. So this book is supposed to have a "lesbian theme. The book is narrated by Tereska Torres, who was stationed with many other women of the French Free Forces in England in the women's barracks.

    Most of the action in this book consists of who these women sleep with because hooking up with other soldiers is all they are interested in. Apparently Tereska was a great listener, because she knows lots of detail about the other women, even as she narrates scenes in which she was not present at all. She talks about the inner thoughts and feelings of her comrades with more knowledge than is usually possible.

    Mostly she talks about poor little Ursula, who lied about her age to sign up for the Free French Forces, which were similar to our WACS , who matures and becomes a woman by finally being brave enough to have sex with a man. Ursula had sex with one of the women at first, but then felt guilty, yet was struck with a huge crush on that woman who proceeded to totally ignore her. Thankfully the author says that woman wasn't even a real lesbian, because she slept with men just as easily.

    I was somewhat relieved about that, because if this character had been the lesbian example, that would have cast lesbians in a really inaccurate and bad light. The real lesbians in this book deal with the usual lesbian relationship intrigues. Interestingly, the narrator sees them dealing with the same problems the straight women encounter - seeking true love. Not everything she mentions about them is judgmental. None of the lesbians in this book go crazy, or kill themselves, which is what I had heard always happened to them in pulp fiction.

    But the narrator does pass some severe judgment on them, that they are lonely, sad, unsatisfied, never smile, and the that only male company they keep is that of "pederasts". Pederasts are men who have homosexual relationships with young boys. She describes one of the older lesbian officers in unflattering words as having the air of a "little old man. These two then proceed to have a threesome with her brother yes, so realistic and when he fails to get her girlfriend pregnant, they drift apart. So basically, here we have see some severe judgment of lesbian relationships: they must be unsatisfying because they can't get each other pregnant.

    This isn't the main story of the book, but probably the most saliva-producing for the uptight 's reader. Apparently, even though the straight women were quite liberated and made the independent choice to join the army and serve their country, they could only become "real women" once they had sex with men. This is the case not only for pathetic little Ursula but also for fun loving, easy going, confident Mickey. Mostly the book is about their sexual relationships and how they try to get married. I found this message ridiculous and reading about their efforts boring, but, like I said, my primary goal was to evaluate how lesbians are portrayed in pulp fiction.

    The book has some redeeming value because it is anti-war. In the end, it is pretty sad when certain characters die. Ursula's boyfriend in particular was a deep thinker and had great ideas about how life could be better after the war. Also, he was a Polish Jew, so at least this book was not anti-semitic, just misogynistic and homophobic.

    Three stars, because it is probably has value as a literary marker and sign of the time. Its messages are questionable but exactly what you wold expect. May 23, Keren rated it liked it Shelves: pulp , lesbian , awesome-women , 20th-century-europe , fiction , world-war-ii. Modern in the sense that the setting, as the title suggests, exists away from the influence of men all fighting in the war , a device that chick-lit has done to death in recent times eg. Sex and the City. Yet any hint of modern day sensibilities come crashing down with outmoded language.

    She clarifies that these lines were requested in the English translation as an attempt to appease any moral outrage that might arise from a book all about lesbians — Torres herself says she never held such disapproving views. For example the main characters are heterosexual with bisexual sensibilities. The self-identifying lesbian in the novel are side players. This is perhaps a sign that this idea was to boundary pushing even in a novel that tested perception of lesbianism?

    Interestingly the heterosexual relationships within the story are played out in traditional fashion of this time, namely actions outside of the traditional are punished in some way. In other words pre-marital sex leads death, grief, suicides or unwanted pregnancies. The equilibrium is always restored. Putting aside all these criticisms the book was written in where a sexual revolution was but a futuristic event.

    While I enjoyed the book, it was certainly far from perfect.

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    That being said I will be seeking out more from the pulp genre. Dec 02, Lisa rated it really liked it. This was a surprisingly good read. Naturally, I was attracted by the title and the cover, but how was I to know that the story would be good as well? Lesbian pulp is usually one of those things that you skim to the juicy parts and then stop reading because the lesbian usually dies in the end.

    This book is different. It has some very realistic depictions of all of the main characters, who are all very different. I especially liked the conversation that the narrator has with Ann the Lesbian and This was a surprisingly good read. I especially liked the conversation that the narrator has with Ann the Lesbian and the differences between women who are lesbians and those who sleep with women occasionally but do not consider themselves lebians. The book doesn't center completely around this idea of sexual identity, there is also a very strong story of the question of war.

    Most of the characters in the book are convinced that the end of World War II will put an end to war altogether. It was published in It was also the first pulp fiction that made it big. It sold over 2 million copies in the first 5 years. May 28, Nightwitch rated it really liked it Shelves: ww2-historical-fiction. This book surprised me: rather than being some sort of scandalous, poorly-written lesbian pulp novel, it's very much a product of the "thinly fictionalized account of women's lives and sexual experiences during World War II" genre.

    I'm thinking, for example, of Mary Wesley's Camomile Lawn , which caused such a scandal when she published it - World War II is, after all, the "grandparent generation" for many of us, and the idea of people screwing like bunnies during wartime isn't really congruent w This book surprised me: rather than being some sort of scandalous, poorly-written lesbian pulp novel, it's very much a product of the "thinly fictionalized account of women's lives and sexual experiences during World War II" genre. I'm thinking, for example, of Mary Wesley's Camomile Lawn , which caused such a scandal when she published it - World War II is, after all, the "grandparent generation" for many of us, and the idea of people screwing like bunnies during wartime isn't really congruent with that.

    This one, however, came out very shortly after the war, and included some detailed lesbian and bisexual affairs, as well as unwed pregnancies, illegitimate children, etc. The writing is actually pretty good - it's a very readable book rather than "great literature," but it's nowhere near as awkward as e. The Camomile Lawn. At the insistence of the American publishers, there was a bunch of moralizing thrown in about lesbianism and promiscuity, which bumped this down a star for me, but over all, a really fun read, albeit not what I was expecting.

    I know this book is representative of retro lesbian fiction and I'm sure it was something for the time it came out and had its market, but classic with historical value doesn't always translate to well written. I did listen to the whole book, but I found many of the characters tedious in who they are and the writing style was very disconnected. The narrator is a person telling a story years later after knowing all the events after the fact. However, in the telling, she rambles from one character I know this book is representative of retro lesbian fiction and I'm sure it was something for the time it came out and had its market, but classic with historical value doesn't always translate to well written.

    However, in the telling, she rambles from one character to another with no clear focus and I found it both boring and distracting. As far as any lesbian content, it's very vague really. Some of the characters exhibit certain tendencies, however, it's kept rather vague. I can see how a lesbian reading this at original publication time would have loved it or identified.

    Still though, it was interesting on the level of getting a glimpse into a certain time period in history and how women got along in it during war. Oct 11, Emily Crow rated it liked it Shelves: historical , lgbt , read-in , translations , war-is-hell. I read this as a literary novelty And one of the the first examples of "lesbian pulp.

    I wouldn't call it a riveting read, or in any way shocking by today's standards, but it turned out to be an interesting look at these women's lives. I appreciated the inclusi I read this as a literary novelty I appreciated the inclusion of the interview at the end, in which the author stated that she didn't intend the book to have such a judgmental overtone; that was something added in the translation to try to appease the censors.

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