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Humanities | Performing Autobiography: Contemporary Canadian Drama
This collection of essays brings together twelve noted Italian and View Product. Elections dominated Canadian politics in , despite there being no federal election. The fallout from At the same time, though barely half-way into their mandate from Long praised for its accuracy, readability, and insight, the Canadian Annual Review of Politics and Long praised for its accuracy, readability, and insight, the Canadian Annual Review of Politics and Public Affairs offers a synoptic appraisal of the year's developments in Canadian politics.
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- Notre espion en Amérique : roman (Littérature Française) (French Edition).
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Show all links. Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Performing Autobiography : Contemporary Canadian Drama. Read more Reviews Editorial reviews. Publisher Synopsis 'Performing Autobiography is a fascinating and important contribution to theatre and drama studies User-contributed reviews Add a review and share your thoughts with other readers.
Be the first. Add a review and share your thoughts with other readers. One-person shows Performing arts -- Canada.
Theatre of Canada
Autobiographical drama, Canadian English -- History and criticism. Spectacles solos -- Canada.
Word of mouth has been great. I think that the novelty of our shows — this is a format most audiences have never seen — has worked in our favour, as well as allowing us to produce a new show every month. Knowing each show is new keeps people interested. This is our fifth interview. We are hoping to increase our podcast offerings in the very near future there are a least four shows yet to be mixed , including getting ourselves on iTunes, and greater promotion of our adaptations. Ballard stories and I have memories of hearing an adaptation of Ursula K.
And of course, the comedy!
I suppose most of our show is Canadian by dint of being written by and performed Canadians, and some of the references are Canadian, though we are not very topical. Of all the mediums, I think radio is the closest to reading, in terms of using the imagination. Digital recording and editing has made it possible for nearly anyone with the inclination to produce great-sounding shows. And a sci-fi extravaganza with a billion exploding planets and spaceships costs no more to make than a kitchen-sink two-hander.
TBF: With the advent podcasting and distribution via the internet do you feel that traditional radio broadcasters are still necessary for producing quality radio drama?
Current Research Team: 2018-12222
There are so many podcasts of questionable quality to wade through. But, thanks to our supportive audiences, we are not running in the red, and have always been able to cover theatre rental, our other costs, and even buy some new equipment for the show. So many amateur productions sound… amateurish.
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